Press
 

Hänsel und Gretel - Oldenburgisches Staatstheater 20/12/24

‘Seumas Begg gives the witch an unusually beautiful character tenor. Initially sung very cleanly, he lets his voice off the leash more and more until it sounds increasingly evil, in keeping with the role. A very good development that fits the scene.’

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https://culturecolours.de/news/detail/haensel-und-gretel-am-oldenburgischen-staatstheater

 

Der Freischütz - Oldenburgisches Staatstheater 13/09/24

'Und auch der spiel- und stimmfreudige Seumas Begg haucht seinem Kilian in den (viel zu wenigen) Auftritten charmant Leben ein.'

 

'And the playful and vocally gifted Seumas Begg also charmingly breathes life into his Kilian in the (far too few) appearances.'

 

https://www.ioco.de/oldenburg-staatstheater-freischutz-ioco/

 

Review by Thomas Honickel, 16 Sep 2024

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Navigate the Blood - NOISE at the Glasgow Distillery, 2/11/18

‘the 'lost' intruder — a tenor role with persuasive passion by Seumas Begg.'

Opera Magazine - January 2019

Review by Andrew Clark

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Gianni Schicchi - Five Senses Music at Greycoat Hospital School, London, 25/01/25

'...and Seumas Begg's Rinuccio sprang vividly into vocal, verbal and physical action.'

Opera Magazine - April 2020

Review by Yehuda Shapiro

 

Last Days - Royal Opera and GSMD at the Linbury Theatre, Covent Garden, 7/10/22

'and two imperturbable Mormon missionaries (Kate Howdon, Seumas Begg) helped leaven the mix'

Opera Magazine - December 2022

Review by Alexandra Coghlan

 

Orfeo - Longborough Festival Opera, Moreton-in-Marsh, 11/06/23

'while Seumas Begg's Apollo (and Shephard) also commanded attention.'

Opera Magazine - September 2023

Review by Brian Robins

 

A Midsummer Night's Dream - Teatro Carlo Felice, Genova, 17/10/23

’and Seumas Begg, a humorous Flute, were the outstanding members of the excellent group of Rustics'

Opera Magazine - February 2024

Review by Giorgio Rampone

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